Dieser Film ist den Genres Dokumentarfilm und Musik eingeordnet. Der Film ist vergleichbar mit Suburban Fantasy (2022), Crash Test Dude: The Brad Roberts Rockumentary (2001), Paco Loco: viva el noise (2020), We Were Famous, You Don't Remember: The Embarrassment (2023), The KIDBOY TOUR (2023), Arctic Monkeys Live Lollapalooza Chile (2019), Songs for Cassavetes (2001), It Might Get Loud (2008), We Are Bleach, Superchunk: Crowding Up Your Visual Field (2003), Pavement: Slow Century (2002), Fernanda Takai: Na Medida do Impossível - Ao Vivo no Inhotim (2014), The Analogues Perform Sgt. Pepper's Lonely Hearts Club Band (2017), Microphones in 2020 (2020), What Did You Expect: The Archers of Loaf Live at Cat's Cradle (2012), Modern Life Is Rubbish (2018), Рок и фортуна (1989), The Trachtenburg Family Slideshow Players: Off & On Broadway (2006), Airplay: The Rise and Fall of Rock Radio (2008) und The Beatles: Parting Ways (2009). Lee Thomas ist Regisseur von diesen Film.